W: When you write a novel, do you know where you're going, Dr. James?
M: Yes, you must, really, 61 you're writing the classical detective story, because it must be so carefully plotted and so carefully clued. I have schemes. I have charts. I have diagrams. It doesn't mean to say that I always get it right, but I do plan before I begin writing. But what is so fascinating is 62 a book changes during the process of writing. It seems to me 63 creative writing is a process of revelation, really, rather than 64 creativity in the ordinary sense.
W: When you're planning 65 basic structure, do you like to go away to be sure that you're by yourself?
M: I need to be by myself certainly, absolutely. I can't even bear anybody else in the house. I don't mind much where I am as long as I've got enough space to write, but I need 66 (be) completely alone.
W: Is that very important to you?
M: Oh, yes. I've never been lonely in all my life.
W: How extraordinary! Never?
M: No, never.
W: You're very lucky. 67 once said that there's a bit of ice at the heart of every writer.
M: Yes. I think this is true. The writer can stand aside from experience and look at it, watch it 68 (happen). There is this “detachment” and I realize that there are obviously experiences which 69 (overwhelm) everyone. But very often, a writer can appear to stand aside, and this 70 (detach) makes people feel there's a bit of ice in the heart.
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