震撼時(shí)尚界的八部經(jīng)典電影

Belle de Jour, 1967

　　《白日美人》（1967 年）

　　 The director Luis Bu?uel steadfastly maintained that this was a serious psycho-sexual study of bourgeois neurosis. Nice try, Bu?uel. Obviously what’s really on show here is Catherine Denueve’s stupefyingly chic wardrobe – designed for her by YSL himself. Seriously – the clothes helped to nail the Deneuve character’s pampered, demure confusion.

　　導(dǎo)演路易斯·布努埃爾一直堅(jiān)稱這部電影是一個(gè)嚴(yán)肅的對(duì)資產(chǎn)階級(jí)神經(jīng)癥的心性研究。得了吧，布努埃爾。顯然這部影片真正講的是凱瑟琳·德納芙令人驚嘆的時(shí)髦服裝——由伊夫·圣羅蘭親自為她設(shè)計(jì)。說(shuō)真的，這些衣服有助于揭示出德納芙所飾演的人物放縱和假正經(jīng)并存的雙重性格。