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2024年12月大學(xué)英語(yǔ)六級(jí)閱讀真題以及答案(二)

所屬教程:六級(jí)閱讀

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2025年03月05日

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英語(yǔ)六級(jí)閱讀真題,不僅強(qiáng)化詞匯與句型理解,更提升閱讀速度與綜合分析能力。實(shí)戰(zhàn)演練,讓考生熟悉題型變化,掌握解題技巧,是沖刺六級(jí)高分不可或缺的寶貴資源。今天,小編將分享2024年12月大學(xué)英語(yǔ)六級(jí)閱讀真題以及答案(卷二)相關(guān)內(nèi)容,希望能為大家提供幫助!

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Section A

Directions: In this section, there is a passage with ten blanks. You are required to select one word for each blank from a list of choices given in a word bank following the passage. Read the passage through carefully before making your choices. Each choice in the bank is identified by a letter. Please mark the corresponding letter for each item on Answer Sheet 2 with a single line through the centre. You may not use any of the words in the bank more than once.

Ever been talking about something important with someone you care about and found the discussion frustrating instead of fruitful? Negative energy can then cast a  26  over your efforts to build a shared understanding.

In fact collaborative problem-solving conversations require skills. Strong listening skills are essential.Sprinkling in positivity via appreciation,  27  smiles, and warm comments helps. So does the essential ability to keep your emotional tone in the calm zone. If the tone of a dialogue heats up and anger erupts,the dialogue  28  from collaborative to adversarial, and progress is likely to come to an immediate  29  .

In addition, effective dialogue generally has another important charactéristic: symmetry.

Symmetry in dialogue refers to the balance of how much each partner talks. Are you each getting equal airtime? When one participant does most of the talking, this asymmetry or lack of balance tends to become annoying to one or both of you. The silent partner  30  tires of only listening, while the talker can feel  31  . Usually, both would prefer more equal give and take.

Different rates of speech and levels of voice volume can  32  symmetry as well. The faster or louder partner can easily begin taking up more airtime. The slower-talking or softer-voiced one can have trouble getting the floor.

Conversations also lose balance when one partner's opinions count more than the other's. One person's input may carry more sway because their style of expression is more  33  . One viewpoint may tend to get lost because it is expressed more   34   .

If either partner fairly consistently  35  or evaporates, modifying the pattern will be helpful. The dialogue will feel more productive, and at the same time, the relationship overall is likely to feel more positive.

A) affectionate

B) approximately

C) elapses

D) erode

E) flattered

F) flips

G) halt

H) overburdened

I) predominates

J) propagate

K) scenario

L) shadow

M) tentatively

N) typically

O) vigorous

Section B

Directions: In this section, you are going to read a passage with ten statements attached to it. Each statement contains information given in one of the paragraphs. Identify the paragraph from which the information is derived. You may choose a paragraph more than once. Each paragraph is marked with a letter. Answer the questions by marking the corresponding letter on Answer Sheet 2.

What Is a Super Blood Wolf Moon?

A) Blue moons, rose moons, supermoons. For some reason all the websites seem to think you really want to know all about these moons. "Catch This Weekend' s AMAZING SUPERMOON," one headline will announce. "The Supermoon Isn't Actually A Big Deal And You' re All Ruining Astronomy," another will complain.

B) The latest example is the super blood wolf moon eclipse which sounds like the name of an emotional song I would have performed a modern dance routine to in 9th grade, but is, in fact, an astronomical event set to occur on January 20. As we' ll explain below, there is nothing truly mysterious or otherwise special about this moon, and it will not look like a bloody wolf head in the sky or anything wild like that. We get these super lunar events by smashing together all the qualifiers we' ve historically used to keep track of full moons throughout the year, and in the age of the internet we can get a little too enthusiastic.

C) Consider this your go-to resource for all moon-gazing news. Here's what you need to know about the latest lunar event.

D) Look, it's okay if you don't know. There are probably loads of folks who walk around pretending they totally know why that thing in the sky seems to get bigger and smaller at regular intervals but who totally do not.

E) The moon orbits Earth, and it's tidally locked——that means it always shows us the same face, instead of spinning around like our planet does. That's why you can always see the man on the moon(or the moon rabbit, depending on your cultural preferences) even as it spins around us. But while the moon is big and bright in the sky when it's full, that's only because it's reflecting light from the sun. But the moon is always moving, so it's getting hit with sunlight at different angles. It's invisible to us during the new moon, because our satellite is parked right between us and the sun; the so-called dark side of the moon is lit up like Las Vegas, but the side we can see is in shadow. A full moon happens when the earth is right between the sun and the moon, so sunlight hits the part we can see. And all the other phases are just the transition from one of those extremes to the other.

F) The moon isn't always exactly the same distance from Earth, because its orbit isn't perfectly circular.We call the closest point perigee(近地點(diǎn)), and the most distant point is apogee(遠(yuǎn)地點(diǎn)).2018's closest perigee and most distant apogee both happened in January, and the difference was about 30,000miles.

G) The reason you care about this ordinary change in distance is that it turns a moon super. When a full moon happens close to perigee, it's going to look a bit bigger. Honestly, the difference is not that profound, but if you' re in a position to photograph the supermoon next to something that shows the slight increase in scale, it can look pretty cool. January's super blood wolf moon eclipse is super because the date lines up with the closest the moon will get to us during January, but the moon won't actually be at its closest for the year until February's supermoon, which you can expect plenty of undue excitement over.

H) Blood moons only occur during total lunar eclipses (which can happen a few times a year in any given location). When the moon slips through our shadow, we give it a reddish coloring. The moon can also look orange whenever it's rising or setting, or if it hangs low in the horizon all night—the light bouncing off of it has to travel through a thicker atmosphere there, which scatters more blue light away. But you' ll probably only see that deep, sinister red during an eclipse.

I) A lot of headlines about moons are just ridiculous(you do not need to be particularly excited about a blue moon, it just looks like a regular full moon), but you should definitely roll out of bed to look at a blood moon if one is going to be visible in your region, even though they' re just lunar eclipses and not evidence of bloody battles between the sky gods.

J) In March of 2018, we had our second"blue moon" of the year, to much acclaim. And while that's not necessarily special in an oh-gosh-get-out-and-look-at-it way, it's certainly special: a blue moon is a nickname for when two full moons fall in the same calendar month, and we hadn't previously had two in one year since 1999. We won't have it happen again until 2037. Astronomer David Chapman explained that this is merely a peculiarity of our calendar; once we stopped doing things based on the moon and started trying to follow the sun and the seasons, we stopped having one reliable full moon per month. The moon cycle is 29.53 days long on average, so in most months we still end up with a single new moon and a single full one. But every once in a while, one month steals a full moon from another. In 2018(and in 1999, and again in 2037) both January and March stacked full moons on the first and last nights of the month, leaving February in the dark.

K) Getting two blue moons a year is rare, but we have individual blue moons every few years. Also, fun fact: not actually blue. A moon can indeed take on a moody blue color, but this only happens when particles of just the right size disperse through the sky——and it has nothing to do with the moon's status as"blue". Big clouds of ash from volcanic eruptions or fires can do the trick, but it doesn't happen often, and the stars would certainly have to align for two such rare instances to occur at once.

L) You may have heard that the super special second blue moon of 2018 was also a Paschal moon. This is true! That just means it was the first full moon of spring, which is often used to determine the date of Easter Sunday. All of this is just calendar nonsense and we refuse to go into it further.

M) Sometimes you' ll see a headline that promises a moon with so many qualifiers it makes your head spin.A super blue blood worm moon, perhaps? Or a super blood wolf moon? Lots of websites will tell you that"wolf moon" is the traditional name of the first full moon of the year in"Native American"cultures, which is kind of a weird thing to claim given that there are 573 registered Tribal Nations in the US alone today, not to mention historically. The idea that hungry, howling wolves were such a universal constant in January that all of North America with its different cultures, geographies, and languages spontaneously came up with the same nickname is illogical.

N) Many cultures have traditional names for the full moon in a given month or season, so there's quite a list to draw from if you' re trying to really juice up a story on a slightly-bigger-than-average view of the moon. But these are all based on human calendars and activities and folklore; you will not go outside and see a pink moon in April, though I wish it were so.

36. We cannot see the moon at times when it is positioned right between the earth and the sun.

37. Volcanic eruptions may cause the moon to assume a moody blue color.

38. The moon will be closest to the earth when the supermoon occurs in February.

39. There is nothing unusual about the super blood wolf moon, which will bear no resemblance to a bloody wolf head.

40. The moon will appear orange when the light reflecting from it travels through an atmosphere thicker than usual.

41. It is contrary to logic to claim the name of wolf moon originates from the cultures of American Indians.

42. As the moon's orbit is not a hundred-percent circle, its distance from the earth changes.

43. A full moon in a given month or season gets a specific name in different cultures.

44. There are likely lots of people who know absolutely nothing about why the moon appears to change its size regularly but act like they know.

45. When a full moon appears twice in the same month, it is nicknamed a blue moon.

Section C

Directions: There are 2 passages in this section. Each passage is followed by some questions or unfinished statements. For each of them there are four choices marked A), B), C) and D). You should decide on the best choice and mark the corresponding letter on Answer Sheet 2 with a single line through the centre.

Passage One

Questions 46 to 50 are based on the following passage.

With population increases and global urbanisation ever accelerating, much attention is focused on the sustainability of our cities and scarce attention is paid to the countryside.

Rural life is associated with closely-knit communities, sense of belonging, and a simple, tranquil life. Yet whilst some or all of these elements exist in the countryside, so do conservatism and a lack of employment opportunities. And it is mostly due to the latter that rural communities are suffering. Attracted by the improved economics of urban areas, country-dwellers across the world are moving out, contributing to the excessive crowdedness of densely populated cities, and leaving the countryside in desolation.

So how can the countryside ensure its survival among these changes; or should it at all? Due to both the distance between residences and facilities and often intermittent public transport, those living in the countryside are heavier automobile users. Rural dwellers also use more energy maintaining their mostly detached buildings.We may be piled up like boxes in the city, but this brings energy efficiency that the countryside cannot match.Rural energy requirements result in higher carbon emissions per person than in the city, so it is actually irresponsible to endorse such a lifestyle choice.

Protecting the countryside is a hot topic. Those who have made their fortunes in the city often buy second homes in the countryside, visiting intermittently for a sample of a supposedly simple life. The side-effect of this is that house prices are pushed up due to increased demand, leaving them unaffordable for local people. A solution has yet to be found for this challenge, for market forces are further forcing residents out of the countryside. For those who believe in rural preservation, this is deplorable.

Whilst an idealised view of the countryside is common, the reality is that rural life has continuously evolved. Industrialisation brought an increase in divisions of labour, changing social links between rural people.The internet has introduced once foreign cultures into the countryside. Improved travel connections and affordability have made the world more accessible, creating a"global village". Considering these changes,surely an evolving countryside is inevitable.

Perhaps the countryside should also prepare itself for massive population increases in the future. With cities across the world growing rapidly, how will the current urban generation respond to the inevitable social changes of mass urbanisation? Will the longing for a simpler life become stronger, fueling a rural renaissance?

As the world continues to urbanise, the voices calling for rural preservation may well grow louder. But change is inevitable. We know that the world is going to see new cities emerging from the dust and current cities growing into megacities, but the future of the countryside is less clear.

46. What has become of the rural areas nowadays?

A) They are becoming somewhat deserted.

B) They are being increasingly urbanised.

C) They are closely-knit communities.

D) They are haunted by conservatism.

47. What does the author think of the rural lifestyle?

A) It is unlikely to survive given the on-going changes.

B) It is less energy-efficient compared to that in cities.

C) It is highly dependent upon heavy automobiles.

D) It is a choice more affluent people will endorse.

48. What does the author think of rich urban residents buying a second home in the countryside?

A) It is bound to mar the traditional rural life.

B) It adversely impacts rural social stability.

C) It hinders rural economies' revitalisation.

D) It is detrimental to rural preservation.

49. What do we learn about the countryside with industrialisation and technological advances?

A) It is destined to change gradually.

B) It will present an idealised way of life.

C) It is likely to embrace foreign cultures.

D) It will become increasingly diversified.

50. What does the author think of the future of the countryside compared with cities?

A) It is going to be harder for the locals.

B) It is going to resemble that of cities.

C) It is less likely to stay static.

D) It is less easy to envisage.

Passage Two

Questions 51 to 55 are based on the following passage.

Statements, like"beauty is in the eye of the beholder(觀看者)", are rarely questioned. They' ve become so embedded in our consciousness that people think it's absurd to think otherwise. It might be useful, however, to at least push back on this assumption because people evaluate environment, situations, and people aesthetically.We may find that we still believe it is correct, but we may also find that there is a lot more to the situation than you suppose.

A recent study exploring aesthetic taste was published in Cognition. The results from this study show that people agree very much in their aesthetic evaluation of natural objects, but they disagree more about artifacts,or human-made objects.

The study found that shared taste was most common for faces and natural landscapes, but least common among works of architecture and art. The hypothesis is the commonly pleasing features, like proportion or symmetry, are at work.

Preferences for natural scenes might be learned through life experiences. Factors like habitability, safety,and openness might be preferred as people develop. Some of the details of landscapes change, but the basics are more common, e. g., water, open spaces, and signs of care.

Art and architecture, unlike natural spaces, do not have the same level of exposure. So, people do not have the same level of shared taste.

It's possible that the lower amount of agreement in the shared taste of artifacts has to do more with elements of style, rather than"behavioral consequences".

All of the consequences seem reasonable(or at least possible), but I think there might be an interesting philosophical conclusion that they did not draw. It seems that there is an objective ground to our aesthetic preferences or evaluations. I am not saying this would mean beauty is completely objective, just that there could possibly be general objective principles at work, i. e., beauty is not simply in the eye of the beholder.

Nature exhibits some of the universal aesthetic features, such as radiance, in a common way throughout the world. It's not exactly the same everywhere, but it is common. For example, a sunset is similar enough in different places to warrant almost universal appeal.

Possible universal principles of beauty—such as proportion, fittingness, radiance, and others—are general categories, which allow for a wide array of embodiments. When people get involved in making artifacts in architecture or art, they apply these very general concepts in unique ways. But the way they applied the principle may not have universal appeal.

This is why it's important to experience diverse cultures and their artifacts because it opens us up to different ways of approaching or constructing beauty. And it is always good to question our assumptions.

51. What does the passage say about the statement"beauty is in the eye of the beholder"?

A) It has hardly ever been disputed.

B) It can be interpreted aesthetically.

C) Many people have found it absurd.

D) People have long been misled by it.

52. What does a recent study exploring aesthetic taste show?

A) Aesthetic tastes tend to differ from person to person.

B) Natural beauty is rarely surpassed by artificial beauty.

C) There is less consensus on objects shaped by human craft.

D) There is general agreement on what is pleasing to the eye.

53. Why do people differ in their aesthetic appraisal of artifacts?

A) They come out in a great variety of designs.

B) They lead to varying behavioral consequences.

C) They take up much less natural space than landscapes.

D) They come into people's view less often than natural spaces.

54. What does the example of sunset tell about nature?

A) It creates a powerful appeal through its brilliant radiance.

B) It displays aesthetic traits in a similar way the world over.

C) It embodies beauty with a wide array of aesthetic features.

D) It establishes the principles of beauty in a number of ways.

55. Why do artifacts not always hold universal appeal?

A) The appreciation of their beauty is not subject to objective standards.

B) The universal principle of beauty prevents a wide array of embodiments.

C) The way their creators apply the principle of beauty may not be pleasing to everybody.

D) Their creators interpret the universal principle of beauty each in their preferred way.

26.L)【語(yǔ)義判斷】空格所在句的前一句提到與你關(guān)心的人談?wù)撝匾氖虑?,卻發(fā)現(xiàn)討論令人沮喪、沒(méi)有成效,根據(jù)上文可推測(cè)空格所在句的意思:負(fù)能量對(duì)雙方達(dá)成共識(shí)不會(huì)有好的影響,因此填入L)shadow“(壞)影響;陰影”, cast a shadow over“給……蒙上陰影”,比喻對(duì)事情產(chǎn)生負(fù)面影響,符合文章意思,故為答案。

27.A)【語(yǔ)義判斷】空格所在句提到借助一些手段來(lái)傳遞積極的信息有助于交流的成功,這些手段包括由衷的贊賞和熱情的評(píng)論,與這兩個(gè)名詞短語(yǔ)屬于同一語(yǔ)義場(chǎng)的詞是A)affectionate“表示關(guān)愛(ài)的”,affectionate smiles“關(guān)切的微笑”,符合句意,故為答案。

28.F)【語(yǔ)義判斷】空格所在句提到如果對(duì)話的語(yǔ)氣升溫,憤怒爆發(fā),對(duì)話將從合作走向?qū)梗軌虮磉_(dá)這種轉(zhuǎn)變的是F)flips,在這里的意思是“(話題、活動(dòng)或意見(jiàn))突然轉(zhuǎn)換”,“flip from... to...”指“從一個(gè)話題轉(zhuǎn)換為另一個(gè)話題”,符合文章意思,故為答案。

29.G)【語(yǔ)義判斷】空格前面半句提到對(duì)話的語(yǔ)氣升溫,憤怒爆發(fā),對(duì)話將從合作走向?qū)梗上攵?,這種從好到壞的轉(zhuǎn)變也會(huì)給已經(jīng)取得的進(jìn)展帶來(lái)不好的影響,因此填入G)halt“停止,暫停”,come to an immediate halt“立即停止”,符合文章意思,故為答案。

30.N)【語(yǔ)義判斷】本段首句指出對(duì)稱性指的是雙方說(shuō)話的均衡程度,空格前一句提到當(dāng)一方參與者說(shuō)了談話中的大部分內(nèi)容的時(shí)候,這種不對(duì)稱或缺乏平衡往往會(huì)讓你們中的一方或雙方都感到惱火,空格所在句提到:沉默的一方會(huì)厭倦只聽(tīng)不說(shuō)。根據(jù)前一句中的tends to“往往,具有某種傾向或特征”可知這里應(yīng)填入副詞N)typically“通常,一般;具有代表性地”,符合文章意思。

31.H)【語(yǔ)義判斷】上一題提到雙方不對(duì)稱的對(duì)話中一直在聽(tīng)的一方感到惱火,本題描述的是負(fù)責(zé)說(shuō)話的一方的感受,可想而知,在對(duì)話中說(shuō)個(gè)不停就意味著需要不停輸出信息給對(duì)方,也就是下一句中提到的give,這任務(wù)本該兩方分擔(dān),現(xiàn)在卻是一方承擔(dān), H)overburdened“負(fù)擔(dān)過(guò)重的”符合說(shuō)話的一方的感受,故為答案。

32.D)【語(yǔ)義判斷】空格所在句提到不同的語(yǔ)速和音量會(huì)對(duì)對(duì)稱性產(chǎn)生影響,至于產(chǎn)生什么樣的影響,下文具體闡述:語(yǔ)速快或聲音大的一方很容易開(kāi)始占用更多的發(fā)言時(shí)間,而語(yǔ)速較慢或聲音較小的一方則很難獲得發(fā)言權(quán)??梢?jiàn)語(yǔ)速和音量的不同會(huì)破壞對(duì)稱性,因此填入D)erode“逐漸毀壞;損害”。

33.O)【語(yǔ)義判斷】空格所在句提到對(duì)話一方的意見(jiàn)可能更有影響力,sway在這里是“影響力;統(tǒng)治”的意思,然后用because引出原因,指出這與他們的表達(dá)方式有關(guān),瀏覽各形容詞選項(xiàng),O)vigorous“果斷的;精力充沛的”,用在句中表示一方的表達(dá)方式更加果斷有力,影響力自然也就更大,符合文章意思,故為答案。

34.M)【語(yǔ)義判斷】上一題提到表達(dá)果斷有力的一方的觀點(diǎn)更有影響力,本題說(shuō)的是觀點(diǎn)被忽略的一方的表達(dá)方式,與果斷有力相反的表達(dá)方式是猶豫不決,因此填入M)tentatively“猶豫不定地,躊躇地”。

35.I)【語(yǔ)義判斷】空格所在句是對(duì)上文提到的對(duì)話中不對(duì)稱、不平衡現(xiàn)象的總結(jié),根據(jù)上文可知這種不對(duì)稱表現(xiàn)為一方說(shuō)得多,另一方說(shuō)得少,一方觀點(diǎn)影響力大,另一方觀點(diǎn)被忽略,概括起來(lái)也就是一個(gè)占主導(dǎo)地位,一個(gè)占次要地位,兩個(gè)并列謂語(yǔ)分別對(duì)應(yīng)這兩種情況,evaporates“蒸發(fā)”可引申為“占次要地位,無(wú)足輕重”,與之相對(duì)的是I)predominates“占主導(dǎo)地位”,符合文章意思,故為答案。

36.【定位】由題干中的right between the earth and the sun定位到文章E)段倒數(shù)第三句。

E)【精析】同義轉(zhuǎn)述題。E)段倒數(shù)第三句提到,在新月期間,我們看不見(jiàn)它,因?yàn)槲覀兊男l(wèi)星正好位于我們和太陽(yáng)之間。本段首句提到了月球繞地球運(yùn)行,而后作者用our planet指代地球,可推測(cè)our satellite“我們的衛(wèi)星”指代月球。題干中的cannot see the moon對(duì)應(yīng)原文中的it's invisible,題干中的positioned與原文中的parked為同義詞,故答案為E)。

37.【定位】由題干中的volcanic eruptions和a moody blue color定位到K)段第三、四句。

K)【精析】細(xì)節(jié)歸納題。K)段第三、四句提到,月亮確實(shí)可以呈現(xiàn)出憂郁的藍(lán)色,但這只發(fā)生在大小合適的粒子分散在天空中時(shí)————但這與月亮的“藍(lán)色”狀態(tài)無(wú)關(guān)。火山噴發(fā)或火災(zāi)產(chǎn)生的巨大火山灰云可以做到這一點(diǎn),不過(guò)這種情況并不經(jīng)常出現(xiàn)。從定位句可歸納出,火山灰云能夠?qū)е绿炜罩写嬖诖笮『线m的粒子,繼而導(dǎo)致月亮出現(xiàn)憂郁的藍(lán)色。題干中的cause對(duì)應(yīng)原文中的can do the trick,題干內(nèi)容是對(duì)原文定位部分的概括和歸納,故答案為K)。

38.【定位】由題干中的closest to the earth、supermoon和February定位到文章G)段最后一句。

G)【精析】細(xì)節(jié)辨認(rèn)題。G)段最后一句提到,超級(jí)月亮實(shí)際上要到二月份出現(xiàn)時(shí)才會(huì)離我們最近。原文中用到了“not... until...”句型,表示“直到……才……”,換句話說(shuō),在二月份出現(xiàn)超級(jí)月亮?xí)r,它離我們最近,故答案為G)。

39.【定位】由題干中的super blood wolf moon和a bloody wolf head定位到B)段前兩句。

B)【精析】同義轉(zhuǎn)述題。B)段第二句提到,這個(gè)月亮并沒(méi)有什么真正神秘或特別的地方,它也不會(huì)像一個(gè)血淋淋的狼頭一樣出現(xiàn)在天空中,或像任何類似的超出想象的東西。題干中的nothing unusual是原文中nothing truly mysterious or otherwise special的同義轉(zhuǎn)述;題干中的bear no resemblance to是原文中not look like的同義詞組,故答案為B)。

40.【定位】由題干中的orange、light和travels through an atmosphere thicker than usual定位到文章H)段第三句。

H)【精析】推理判斷題。H)段定位句提到,每當(dāng)月亮升起或落下,抑或是整夜低垂在地平線上時(shí),月亮看起來(lái)也可能會(huì)是橙色的————因?yàn)閺脑铝练瓷浠貋?lái)的光必須穿過(guò)更厚的大氣層,而大氣層會(huì)散射更多的藍(lán)光。由此可以推斷,前面所提到的這些出現(xiàn)橙色月亮的情況均是由光穿過(guò)更厚的大氣層引起的。題干中的appear與原文中的look為同義詞,而題干中的reflecting是原文中bouncing off的同義轉(zhuǎn)述,故答案為H)。

41.【定位】由題干中的the name of wolf moon和the cultures of American Indians定位到M)段最后兩句。

M)【精析】細(xì)節(jié)歸納題。M)段倒數(shù)第二句提到,許多網(wǎng)站會(huì)告訴你,“狼月”是“美洲原住民”文化中一年第一個(gè)滿月的傳統(tǒng)名稱。下一句又提到,所有擁有不同文化、地理和語(yǔ)言的北美部落都自發(fā)地提出了同樣的綽號(hào),這種想法是不合邏輯的。歸納可得題干的含義。題干中的contrary to logic對(duì)應(yīng)原文中的illogical,題干中的originates from是對(duì)原文中is the traditional name of的同義轉(zhuǎn)述,故答案為M)。

42.【定位】由題干中的orbit和distance from the earth changes定位到文章F)段第一句。

F)【精析】同義轉(zhuǎn)述題。F)段第一句告訴我們,月球與地球的距離并不總是完全相等的,因?yàn)樗墓D(zhuǎn)軌道不是完美的圓形。原文中because引導(dǎo)的原因狀語(yǔ)從句在主句之后,而題干中則是as引導(dǎo)原因狀語(yǔ)從句并放在了主句之前。此外,題干中的a hundred-percent circle對(duì)應(yīng)原文中的 perfectly circular,題干中的changes是原文中isn't always exactly the same的同義轉(zhuǎn)述,故答案為F)。

43.【定位】由題干中的in a given month or season定位到文章N)段第一句。

N)【精析】同義轉(zhuǎn)述題。N)段第一句指出,許多文化都對(duì)特定月份或季節(jié)的滿月有傳統(tǒng)名稱。定位句用many cultures作主語(yǔ),指出不同的文化對(duì)特定月份或季節(jié)的滿月有不同的名稱,而題干進(jìn)行了語(yǔ)序調(diào)整,以a full moon作為主語(yǔ)說(shuō)明特定月份或季節(jié)的滿月會(huì)在不同文化中有特定名稱。兩者表達(dá)的含義相同,故答案為N)。

44.【定位】由題干中的know和 why the moon appears to change its size定位到文章D)段第二句。

D)【精析】同義轉(zhuǎn)述題。D)段第二句提到,可能大街上有很多人會(huì)假裝他們完全知道為什么天空中的那個(gè)東西似乎定期變大變小,但其實(shí)他們完全不懂。根據(jù)上一段結(jié)尾提到的lunar event可知that thing“那個(gè)東西”指代的是月亮。題干中的lots of people對(duì)應(yīng)原文中的loads of folks,題干中的know absolutely nothing是對(duì)原文中totally do not的同義轉(zhuǎn)述,均表明他們其實(shí)不懂,而題干中的act like they know與原文中的pretending they totally know均表達(dá)這些人假裝自己很懂,題干中的change its size是對(duì)原文中g(shù)et bigger and smaller的同義轉(zhuǎn)述,故答案為D)。

45.【定位】由題干中的nicknamed和a blue moon定位到文章J)段第二句。

J)【精析】同義轉(zhuǎn)述題。J)段第二句指出,藍(lán)月亮是一個(gè)昵稱,指的是兩個(gè)滿月在同一個(gè)日歷月出現(xiàn)。題干中的a full moon appears twice in the same month對(duì)應(yīng)原文中的two full moons fall in the same calendar month,故答案為J)。

46.【定位】由題干中的rural areas和nowadays定位到第二段。

A)【精析】事實(shí)細(xì)節(jié)題。文章首段提到全球城市化加速之后,在段尾將話題轉(zhuǎn)向農(nóng)村,而第二段具體闡述農(nóng)村的現(xiàn)狀,該段最后一句分析指出,世界各地的農(nóng)村居民正在遷出,使得城市更加擁擠,而農(nóng)村則一片荒涼,故答案為A)。

47.【定位】由題干中的rural lifestyle定位到第三段最后一句。

B)【精析】觀點(diǎn)態(tài)度題。定位句指出,支持農(nóng)村這種生活方式的選擇是不負(fù)責(zé)任的,回溯前文此結(jié)論的論據(jù),本段第三、四句指出,因農(nóng)村大多是獨(dú)立的建筑,需要使用更多的能源,其能源效率無(wú)法與城市相比擬,可知鄉(xiāng)村生活方式能源效率低于城市,故答案為B)。

48.【定位】由題干中的second home定位到第四段第二句。

D)【精析】推理判斷題。定位句提到一些在城里發(fā)了財(cái)?shù)娜私?jīng)常在農(nóng)村購(gòu)置第二套房子,去體驗(yàn)所謂的簡(jiǎn)單生活,在隨后的第三、四句直白地點(diǎn)明這樣做的影響是負(fù)面的,主要就在于推高房?jī)r(jià),令當(dāng)?shù)厝素?fù)擔(dān)不起,迫使原本的農(nóng)村居民遷出,可見(jiàn)對(duì)農(nóng)村的保護(hù)是不利的,故答案為D)。

49.【定位】由題干中的industrialisation定位到第五段第二句并瀏覽至段尾。

A)【精析】事實(shí)細(xì)節(jié)題。定位段第二至四句提到工業(yè)化和網(wǎng)絡(luò)等現(xiàn)代技術(shù)對(duì)農(nóng)村的影響,最后一句總結(jié)稱,鑒于這些變化,農(nóng)村的不斷發(fā)展是不可避免的,故答案為A)。

50.【定位】由題干中的the future of the countryside定位到全文最后一句。

D)【精析】觀點(diǎn)態(tài)度題。定位句指出,我們知道世界將見(jiàn)證新城市從塵埃中崛起,現(xiàn)有城市將發(fā)展成為特大城市,而農(nóng)村的未來(lái)仍不明朗,可見(jiàn)與城市相比,農(nóng)村的未來(lái)是人們不太容易想象的,故答案為D)。

51.【定位】由題干中的beauty is in the eye of the beholder定位到首段第一句。

A)【精析】事實(shí)細(xì)節(jié)題。文章首段第一句指出,諸如“美存在于觀看者的眼中”此類的說(shuō)法,鮮少遭到質(zhì)疑。由此可知,“美存在于觀看者的眼中”這種說(shuō)法幾乎從未被質(zhì)疑過(guò),故答案為A)。

52.【定位】由題干中的 a recent study exploring aesthetic taste和show定位到第二段第一、二句。

C)【精析】事實(shí)細(xì)節(jié)題。文章第二段第一句指出,近期,一項(xiàng)探討審美品位的研究發(fā)表在《認(rèn)知》雜志上。緊接著第二句提到該研究的結(jié)果表明,人們對(duì)自然物體的審美評(píng)價(jià)非常一致,但對(duì)人工制品或人造物體的審美評(píng)價(jià)分歧極大。由disagree more可知,人們對(duì)人工制品的共識(shí)較少,故答案為C)。

53.【定位】由題干中的differ和aesthetic appraisal of artifacts定位到第五段。

D)【精析】推理判斷題。文章第五段第二句指出,人們對(duì)藝術(shù)和建筑的共同品位水平也不盡相同,由句首的so可知上一句解釋了原因:與自然空間不同,藝術(shù)和建筑沒(méi)有相同的曝光程度,也就是說(shuō)原因是人工制品較少進(jìn)入人們的視野,故答案為D)。

54.【定位】由題干中的sunset定位到第八段第一句和第三句。

B)【精析】推理判斷題。文章第八段第一句提到,自然界在全世界以一種共同的方式展示了一些普遍的審美特征。緊接著第三句以日落為例進(jìn)行說(shuō)明:不同地方的日落極為相似,令其具備了近乎普遍的吸引力。由此可推斷出,作者舉日落的例子是用來(lái)說(shuō)明它以一種相似的方式展示世界各地的審美特征,故答案為B)。

55.【定位】由題干中的artifacts not always hold universal appeal定位到第九段。

C)【精析】推理判斷題。文章第九段第一句提到美可能存在的普遍原則屬于一般類別,可以有各種各樣的體現(xiàn)。緊接著第二句和第三句以人工制品為例進(jìn)行說(shuō)明,當(dāng)人們參與建筑作品或藝術(shù)作品的制作時(shí),他們會(huì)以獨(dú)特的方式應(yīng)用這些非常普遍的概念,然而他們應(yīng)用這一原則的方式可能并不具有普遍的吸引力。由此可知,人工制品并不總是具有普遍吸引力的原因是其創(chuàng)造者應(yīng)用美的原則的方式并不具有普遍的吸引力,可能不會(huì)讓每個(gè)人都滿意,故答案為C)。

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